Hope and the Power of the Dream

Hope and the Power of the Dream

James Duval profile picturesI am not certain this blog will win me friends or not. When you talk about what motivates people you almost have to treat it like a discussion on religion. In some cases it has almost become a religion. How people feel has become from my experience more important than what they do. When this is applied to a life long dream, well how do you know it won’t happen? I can’t predict the future. I can barely predict the present.

I have been involved in hundreds of conversations on how to make it in whatever endeavor people choose. I have met many people who have succeeded. I have noticed a difference between those who try and those who actually accomplish. It falls down to an understanding of how to keep one word in perspective, hope.

Now I am not saying I have accomplished anything. That I believe is for others to judge. On this topic I am speaking only as a person who has observed. When I think of hope I think of in two ways. The most common way is a fear or hope of consequences. Kid wakes up, remembers he had a report do, and then prays with all his hope that the teacher does not ask for it. Sometimes happens. I had a few unexpected extensions. But reality usually was it was due and I did not have it. That is common hope. Then there is hope where you have done everything you can and you place the rest into the hands of the universe and you hope it turns out the way you want it. That is hope where you understood the obligation of your own effort and acceptance of our own human condition.

How does this apply to film, being an actor or accomplishing anything in the film industry? The people I know who have succeeded by my definition, have a few things in common. The first thing is forward motion. Every day, almost every moment they are focus on moving forward. They will get up and write, even if it is bad, They will go to any audition no matter how small or presumably unimportant, they will go out with the intention of meeting someone to finance their film. Even if it is just the slightest part of an inch they are always pushing forward.

The second thing that is in common is acceptance of responsibility for their own success. I have heard at least a 1000 times how someone’s agent or manager is not doing anything for them. I have done that myself. Okay logic question: This is easier for actors:

You have an agent. You have not succeeded yet. So what level of agent do you have? Probably not one that will make it happen for you. On the other hand, if you are responsible for your own success then the agent probably can help you help yourself. Why? The agent is also trying to make it also. This is the reality at the beginning— beginning is, are you successful yet? No? Then you are still at the beginning. Success is a partnership waiting to happen. Now reality dictates that not all partnerships are good. That is understood.

Consequences are a mathematical approach to thinking. If the cow its grass it makes milk. If it does not make milk it becomes hamburger. (sorry for the visual) Hamburger is not what you want to be. You want to be part of a process that leads you to your goal.

In filmmaking it is the understanding that the film comes first, the acting comes first and that constant motion is necessary. If you are treating the process like math and you just keep doing it you will find some measure of success. Success leads to more success. Hoping that you will be a great actor or director, but spending your time not doing things related to actually succeeding in your dream gives you no choice but to hope.

Movement gives you an understanding that you will win and accomplish your life goal. It may not come in the form you want, or even expected. But when you find it, you know it. Making you dream the result of consequences in my opinion is a more likely path to success.

Part of our problem is the word consequences. For many people the word has a bad connotation. For me it is the result of an equation. If you want a different outcome you change the elements in the equation. If you do this you don’t need hope so much. You have understanding.

Decisions are hard. We always want to hedge a bit on them. Just in case we are wrong. The what if I fail fear kicks in. What will people think? When I began this journey with my friends I used to point out that lots of people die before they get to the mountaintop. For me the journey was the justification for the risk. Dying while climbing a mountain is better than standing and only staring at it your whole life. Film is a mountain; if you climb you have a better chance at getting to the top than if you just wish.

The other part of taking the consequences approach is most people around you will not understand, even if they are giving lip service to the same dream you have. When you make it many of them will make up a little lie to justify in their minds how you did it and they did not. The thought of the consequences of their decisions is beyond their ability to accept. You must have had a “special” friend or just got lucky. Success is rarely luck. It is almost always motion. You can walk into success. You can run, crawl and even fall into success. But rarely can you stand into success.

I have chosen to live my dream and to always push forward. As such even against difficult odds, I have manage to make some movies and even get them out. I have found myself to be part of a wonderful team of human beings, Continuum Motion Pictures. I have found myself surrounded by people who want and are willing to move forward with their dreams.

James Duval

Jason Durdon Kicks Off New Blog on Continuum Pictures

http://jasondurdon.blogspot.com/2011/10/starting-gun.html

Jason Durdon editing

Day 1 of the blog, the big online account of my march through hollywood. It’s Sunday, Bears are on their bye, and I’ve actually spent the whole day without turning on the TV or my big computer. Just me and my lady relaxing. This is strange by pretty much every account of my normal daily life, so I’m just enjoying these last couple hours before hitting back on Monday morning.

This week should be pretty exciting, lots of possibilities, lots of options. Like that feeling you get walking into the Home Depot. So much you could do, and everything you need to do it is right in front of you. That’s how I feel right now. We’re busy as can be at Continuum Pictures, November is starting off jam-packed with the fresh ink on a picture deal “SHIVERS” that my buddy Danny and I will be co-directing in January. SciFi / vampire pic. Heavy on the action, heavy on the awesome. A foreign picture deal that could see Continuum expanding to another continent, that’s brewing. James Duval and I celebrated by abusing the “all you can eat shrimp’fest” at Red Lobster. Scripts and stories are being sent in, details to follow. There will be no sleep till Brooklyn Christmas. (Any Beastie Boys fans out there? One or two? Maybe?)

So start following this blog if you happen across it. This is where I’ll be dishing out all the latest movements in my film endeavors, posting info on indie filmmaking, tips on how to make movies better/ faster/ cheaper, and also crying about the Chicago Bears. But only a manly cry. On the inside. Boys Don’t Cry. Glad I saw it, never watching it again. I segue a LOT.